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VIRTUAL DJ SOFTWARE - Jobs at Atomix Productions jobs @ atomix productions To work on a product, you need to know it. And to know it, you need to use it. As such, we recruit most of our team amongst the active members of our users community.

Posted 1 day ago. Hey DJs, I have an opportunity for someone who has experience doing virtual events. The idealSee this and similar jobs on LinkedIn. 119 Virtual Music Industry jobs available on Indeed.com. Apply to Curator, Editor, Singer and more! Virtual DJ comes with a bunch of features that are perfect for mid-level enthusiasts and anyone who wants to become a professional DJ. This program was developed with an easy to use interface. After a few minutes learning the options that Virtual DJ offers, you'll soon be able to use it. Virtual dj 6 pro free download. Multimedia tools downloads - VirtualDJ PRO Full by Atomix Productions and many more programs are available for instant and free download.

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Stephane Clavel is the founder of Virtual DJ, the DJ software company and joins us for the second of this month’s The Business of Music features.

Virtual DJ founder and boss Stephane Clavel hasn’t been idle during lockdown. In fact, he’s relished the chance to delve deep into his current programming project, Virtual DJ 2021, the latest version of his DJ mixing programme which boasts real-time stem separation – of actual tracks, not of multi-tracks.

Clavel is a great storyteller, dispensing his tales of being at the heart of a cultural shift – the sudden blooming of the bedroom DJ – with enthusiasm and a high words-per-minute count. He talked us through the journey from starting his business, almost as an afterthought, to becoming one of the biggest players in the DJ software market, along with a few of the things he’s learnt on the way.

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Attack Magazine: First off, tell us about your role at the company:

Stephane Clavel: Despite our size and the number of users we have, Virtual DJ has stayed a start-up at heart, so we’re a very small team compared to the size of the revenues we’re generating. We’ve been COVID compliant since 1996 – meaning we’re a pure 2.0 company, there’s no physical office, everything’s virtual and all our employees work from home and have always worked from home. So we still have the atmosphere of a start-up where everyone’s doing a bit of everything; the designer helps with the website, the programmers help with tech support, everyone pitches in on business matters – and as far as I’m concerned I mostly supervise the business year.

Attack Magazine:So what’s your job title?

We’re a start-up, we don’t have job titles!

Attack Magazine:So tell us about the beginnings and growth of Virtual DJ.

I was alone in the company in the beginning [in 1996]; at the start, I was still at university and it was more like a side project because like every successful project, I didn’t do this because I had an idea, I did this because I had a need.

So at the beginning, we had hundreds of users who were willing to help for free, just because they loved the product. And they were doing PR in their countries, translating, finding journalists, doing all the text reports, and they were doing it all for free and for the love of the product. I went quite a long way before I started telling people ‘You’ve been working for me for free for years, now I can start paying you a salary”.

We never had an HR process or produced job descriptions. We always recruited from the pool of our Facebook users who were superbly motivated and who knew and loved the project the best.

Attack Magazine:So what exactly was the ‘need’ that you identified?

I’d got a job working as a DJ in a holiday resort – but I didn’t have records or equipment with me, I’d only done a few parties for my friends. So I arrived there and the owner asked me if I needed help to bring my records in and I was like “What records?” I had to pretend I was joking, but I had no records!

This was in 1996, the very beginning of this new Mp3 technology and I had my hard drive stuffed with Mp3s. I put my computer in the DJ booth and connected it and I found a single old Salsa record that had fallen behind the table and was covered in dust. I only had WinAmp on my computer and the night of the first party I was still connecting things when people were arriving. So I put on an Mp3 and then to switch tracks I would put on this Salsa music for a few seconds and transition, quickly change the Mp3 then transition back. Everyone in the club must have thought ‘My God! this DJ’s really into Salsa music, every other tune’s Salsa!’

Attack Magazine: And this drove you to create your software?

Yes – instead of going to the beach the next day, I spent the next two days working day and night creating software that could mix two Mp3s together.

I didn’t have it in mind to start a business; I was in the club that night and needed something to mix with so it was a real need. Then I went back to university. This was in 1996, the beginning of the dot.com era so with some friends I created a start-up. It was a virtual platform to sell virtual goods, a small start-up that was doomed to fail. So I put my software on sale, just because I had some friends and friends of friends asking for it.

Attack Magazine: And that was when it all took off?

Well; I went to Tunisia for the summer and was completely disconnected from the world, no internet, no cell phone, the nearest post office was 20 minutes away by bike – it was like a big festival for three months, lots of famous DJs, parties 24/7… And when I came back to France, I had a letter from the tax office telling me that according to French law when you start to earn this much money you’re supposed to incorporate a company and start to pay taxes.

And I was like ‘I’m a student, I don’t make any money!Completely without me doing anything while I was partying at this festival in Tunisia for three months, people were buying Virtual DJ and recommending it to their friends; it was all automated and all the money was just pouring in. I was like, I guess this is my new job now.

Attack Magazine: So obviously the industry has gone through substantial changes since the 90s – what has had to change in the way you work to keep up?

The first ten years it was fun, it wasn’t about money it was about making it as accessible as possible. And then we realised that we became too popular – there is such a thing. When we reached a hundred and fifty million users, we reached the point where everybody’s little sister and grandmother was using Virtual DJ.

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So real DJs were all saying “I’m never going to be seen using virtual DJ, it’s the software that my little brother uses” – but we wanted to make technology for real DJs because we’d been improving the software every year… I wanted to bring this to all the top, professional DJs. So we had to become a little more professional and more focused on mobile DJs, club DJs, festival DJs and create all the features they need like being compatible with ev